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The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E ♭ , smaller than the B ♭ tenor but larger than the B ♭ soprano .
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A "stencil" saxophone is a saxophone made by a manufacturer that is then sold to another company that (perhaps literally) takes a stencil and engraves their own name/information on the horn. The Julius Keilwerth company provided not only complete saxophones to other companies as stencils, but also saxophone bodies for other companies to affix ...
The second-lowest of the standard four voice ranges (bass, tenor, alto, soprano). May refer to a tenor sax. ticky tack. A medium or high-pitched single note electric guitar figure, usually muted by some method or device to achieve a short and percussive note. A clean amp tone is most useful for the effect.
The fingering of the sarrusophone is nearly identical to that of the saxophone. This similarity caused Adolphe Sax to file and lose at least one lawsuit against Gautrot, claiming infringement upon his patent for the saxophone. Sax lost on the grounds that the tone produced by the two families of instruments is markedly different, despite their ...
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
Although described in Adolphe Sax's patent in 1846, a practical, playable subcontrabass saxophone did not exist until the 21st century. [2] An oversized saxophone that might have qualified was built as a prop circa 1965; it could produce tones, but its non-functional keywork required assistants to manually open and close the pads, and it was reportedly incapable of playing a simple scale.