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Afrocentrism is a worldview that is centered on the history of people of African descent or a view that favors it over non-African civilizations. [1] It is in some respects a response to Eurocentric attitudes about African people and their historical contributions.
In African Art in Motion, African art scholar and Yale professor Robert Farris Thompson turns his attention to cool in both the African and African-American contexts: . The mind of an elder within the body of the young is suggested by the striking African custom of dancing "hot" with a "cool" unsmiling face.
Pair of Italian figures in painted wood, 18th century "Moor with Emerald Cluster" by Balthasar Permoser in the collection of the Grünes Gewölbe. Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status.
Midas Chanawe outlined in his historical survey of the development of Afrocentricity how experiences of the trans-Atlantic slave trade, Middle Passage, and legal prohibition of literacy, shared by enslaved African-Americans, followed by the experience of dual cultures (e.g., Africanisms, Americanisms), resulted in some African-Americans re-exploring their African cultural heritage rather than ...
African-American art is known as a broad term describing visual art created by African Americans. The range of art they have created, and are continuing to create, over more than two centuries is as varied as the artists themselves. [ 1 ]
The increasing recognition of Black American art has led to the establishment of institutions dedicated to preserving and showcasing this legacy. The Smithsonian National Museum of African American History and Culture in Washington, D.C., and The Studio Museum in Harlem are just two examples of spaces where Black art is celebrated.