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The author adds the caveat that in certain instances a writer may want to use two spaces between sentences. The examples given are: when one space "may not provide a clear visual break between sentences", if an abbreviation is used at the end of a sentence, or when some very small proportional fonts (such as 10-point Times New Roman) are used.
For example, the 1998 edition of Fowler's Modern English Usage used full point for the mark used after an abbreviation, but full stop or full point when it was employed at the end of a sentence; [9] the 2015 edition, however, treats them as synonymous (and prefers full stop), [10] and New Hart's Rules does likewise (but prefers full point). [11]
The name Urdu was first introduced by the poet Ghulam Hamadani Mushafi around 1780. [29] [30] As a literary language, Urdu took shape in courtly, elite settings. [80] [81] While Urdu retained the grammar and core Indo-Aryan vocabulary of the local Indian dialect Khariboli, it adopted the Perso-Arab writing system, written in the Nastaleeq style.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
In English, the question mark typically occurs at the end of a sentence, where it replaces the full stop (period). However, the question mark may also occur at the end of a clause or phrase, where it replaces the comma (see also Question comma):
Hindustani, the lingua franca of Northern India and Pakistan, has two standardised registers: Hindi and Urdu.Grammatical differences between the two standards are minor but each uses its own script: Hindi uses Devanagari while Urdu uses an extended form of the Perso-Arabic script, typically in the Nastaʿlīq style.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
While this type of script is convenient in Semitic languages like Arabic and Hebrew, whose consonant roots are the key of the sentence, Urdu is an Indo-European language, which requires more precision in vowel sound pronunciation, hence necessitating more memorisation. The number of letters in the Urdu alphabet is somewhat ambiguous and debated.