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As snapshot and personal photography became commonplace among the public, the popularity of the cabinet card and cabinet card specific albums waned. Unmounted paper prints and the scrapbook albums started replacing them. A variety of other large card styles of various names and dimensions came about for professional portraits in the 1880s and ...
Daguerrotype portrait of a daguerreotypist displaying daguerreotypes and cases pictured in an airtight frame, 1845 Daguerreotype of Louis Daguerre in 1844 by Jean-Baptiste Sabatier-Blot. Daguerreotype [note 1] was the first publicly available photographic process, widely used during the 1840s and 1850s. "Daguerreotype" also refers to an image ...
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
Stereoscopes gave Victorian viewers a glimpse of three-dimensional photos. An online stereograph collection includes unique views of old Cincinnati. 1800s Cincinnati comes to life in this ...
This is the most famous portrait of Mozart, in part because it is the most "romantic" and introspective depiction. Earlier portraits showed Mozart in poses—as a family member, as a Knight of the Golden Spur, in court costume. This one, had it been finished, would have shown us a contemplative Mozart at the pianoforte, natural and more "real."
Newark, New Jersey, 1912. From roughly 1860 to 1920 [1] [2] painted photography backdrops were a standard feature of early photography studios. Generally of rustic or quasi-classical design, but sometimes presenting a bourgeoisie trompe-l'œil, [3] they eventually fell out of fashion with the advent of the Brownie and Kodak cameras which brought photography to the masses with concurrent ...
Dodge said he knew the nearly 120-year-old portrait by one of the most important Western artists of the century was worth a lot. But even he was floored by just how valuable it turned out to be.
The pose, thought of as being stately, was copied by other portrait painters across Europe and America. Most paintings and photographs show the right hand inserted into the waistcoat/jacket, but some sitters appear with the left hand inserted. The pose was also often seen in mid-nineteenth century photography. [2]