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Lamb bleeding into the Holy Chalice, carrying the vexillum Adoration of the Mystic Lamb, with gushing blood, detail of the Ghent Altarpiece, Jan van Eyck, c. 1432. The title Lamb of God for Jesus appears in the Gospel of John, with the initial proclamation: "Behold the Lamb of God who takes away the sin of the world" in John 1:29, the title reaffirmed the next day in John 1:36. [1]
The symbol is used in both Christianity and Judaism to represent the Messianic Age. [1] In addition, in Christianity, according to a sermon by Augustine, the lion stands for Christ resurrected, the lamb for Christ's sacrifice ("He endured death as a lamb; he devoured it as a lion."—Augustine, Sermon 375A). [2]
The lamb stands on an altar, and is surrounded by 14 angels arranged in a circle, [45] some holding symbols of Christ's Passion, and two swing censers. [43] The lamb [C] has a wound on its breast from which blood gushes into a golden chalice, yet it shows no outward expression of pain, a reference to Christ's sacrifice. The lamb has a human ...
The symbol is used in both Christianity and Judaism to represent the Messianic Age. The lion and the lamb serve as an artistic and symbolic device, most generally associated with peace. Related ...
Jesus represented as the Lamb of God (Agnus Dei) The fraction rite at which the Agnus Dei is sung or said. Agnus Dei is the Latin name under which the "Lamb of God" is honoured within Christian liturgies descending from the historic Latin liturgical tradition, including those of Roman Catholicism, Lutheranism and Anglicanism.
The paintings of the first period, as seen in the Catacombs of Rome, show us, usually, the lamb accompanying the Good Shepherd, a representation of the Christian soul during its earthly life. [a] The lamb was strongly associated with religious sacrifices in the ancient Near East, and was adopted as a symbol of Christ and his sacrifice on behalf ...
Christian symbolism is the use of symbols, including archetypes, ... Other Christian symbols include the dove (symbolic of the Holy Spirit), the sacrificial lamb ...
Didron, Adolphe Napoléon, Christian Iconography: Or, The History of Christian Art in the Middle Ages, Translated by Ellen J. Millington, H. G. Bohn, (Original from Harvard University, Digitized for Google Books) – Volume I, Part I (pp. 25–165) is concerned with the halo in its different forms, though the book is not up to date. Dodwell, C. R.,