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Venus (/ ˈ v iː n ə s /; Classical Latin: [ˈu̯ɛnʊs̠] Ecclesiastical Latin: [ˈvɛ(ː)nus]) is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy.
Animals were seen as mediators between the gods and humans. Many gods took anthropomorphic forms and had close associations with animals. For example, Zeus turned into a swan and was associated with eagles. Numerous animals also appeared in Greco-Roman mythology, such as the Hydra and the Chimera. [158]
Relief panel from an altar to Venus and Mars depicting Romulus and Remus suckling the she-wolf, and gods representing Roman topography such as the Tiber and Palatine Hill. The Roman mythological tradition is particularly rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors ...
Mazarin Venus, a statuary type popular in the 2nd century AD that evokes the ritual of bathing. Venus Verticordia ("Changer of Hearts" [1] or "Heart-Turner" [2]) was an aspect of the Roman goddess Venus conceived as having the power to convert either virgins or sexually active women from dissolute desire (libido) [3] to sexual virtue (). [4]
The Roman deities most widely known today are those the Romans identified with Greek counterparts, integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure ...
3D reconstruction of the temple as seen from the Colosseum. It was set on a platform measuring 145 metres (476 ft) x 100 metres (330 ft). The peripteral temple itself measured 110 metres (360 ft) x 53 metres (174 ft) and 31 metres (102 ft) high (counting the statues) and consisted of two main chambers (), each housing a cult statue of a god—Venus, the goddess of love, and Roma, the goddess ...
Antecedents of the planetary symbols are attested in the attributes given to classical deities. The Roman planisphere of Bianchini (2nd century, currently in the Louvre, inv. Ma 540) [2] shows the seven planets represented by portraits of the seven corresponding gods, each a bust with a halo and an iconic object or dress, as follows: Mercury has a caduceus and a winged cap; Venus has a ...
Upper Palaeolithic female figurines are collectively described as "Venus figurines" in reference to the Roman goddess of beauty Venus. The name was first used in the mid-nineteenth century by the Marquis de Vibraye, who discovered an ivory figurine and named it La Vénus impudique or Venus Impudica ("immodest Venus"). [10]