Search results
Results From The WOW.Com Content Network
The earliest appearance of the name "Grim Reaper" in English is in the 1847 book The Circle of Human Life: [21] [22] [23] All know full well that life cannot last above seventy, or at the most eighty years. If we reach that term without meeting the grim reaper with his scythe, there or there about, meet him we surely shall.
The Grim Reaper is a popular personification of death in Western culture in the form of a hooded skeletal figure wearing a black robe and carrying a scythe. [ 1 ] [ 2 ] Since the 14th century, European art connected each of these various physical features to death, though the name "Grim Reaper" and the artistic popularity of all the features ...
The two most common objects that Santa Muerte holds in her hands are a globe and a scythe. Her scythe reflects her origins as the Grim Reaper (la Parca of medieval Spain), [23] and can represent the moment of death, when it is said to cut a silver thread. The scythe can symbolize the cutting of negative energies or influences.
The Grim Reaper is often depicted as a hooded skeleton holding a scythe (and occasionally an hourglass), which has been attributed to Hans Holbein the Younger (1538). [2] Death as one of the biblical horsemen of the Apocalypse has been depicted as a skeleton riding a horse.
The Grim Reaper [2] Personification of death Cultural: A skeleton with a scythe, often in a cloak. Also commonly truncated to just "The Reaper". Hand in one's dinner pail [2] To die Informal No longer required at workmen's canteen Happy hunting ground Dead Informal Used to describe the afterlife according to Native Americans Hara-kiri
Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
Grim Reaper's scythe, a large scythe wielded by the Grim Reaper. Scythe of Father Time , during the Renaissance, Father Time was depicted as wielding the harvesting scythe, and became the representative of the cruel and unrelenting flow of time which, in the end, cuts down all things.
Father Time, complete with scythe, is the central figure in the Rotunda Clock by John Flanagan, located in the rotunda of the Thomas Jefferson Building of the U.S. Library of Congress in Washington, D.C.. Father Time and the Virgin is a statue located on the cupola of the Masonic Hall at Mendocino, California.