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"All That Jazz" is a song from the 1975 musical Chicago.It has music by John Kander and lyrics by Fred Ebb, and is the opening song of the musical.The title of the 1979 film, starring Roy Scheider as a character strongly resembling choreographer/stage and film director Bob Fosse, is derived from the song.
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the Jazz Age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported. The story is a satire on corruption in the administration of ...
All That Jazz is a 1979 American musical drama film directed by Bob Fosse and starring Roy Scheider. The screenplay, by Robert Alan Aurthur and Fosse, is a semi-autobiographical fantasy based on aspects of Fosse's life and career as a dancer, choreographer and director.
The 1959 version of “I Only Have Eyes for You” was recorded by the Chicago-based doo-wop group The Flamingos, and it was a big hit. ... The jazz song also had a resurgence in 1987 due to a ...
The phrase and all that jazz means "and other such things", "and all that sort of thing". It is recorded in print in this sense as early as 1959, and was associated with the city of Chicago in Frank Sinatra's 1964 rendition of "My Kind of Town", where the lyric "Chicago is my kind of razzmatazz, and it has all that jazz" is sung.
Throughout the musical, Velma Kelly has many songs and dances that she performs, whether it be by herself or with an ensemble of people. The musical numbers she performs are: "All That Jazz" – performed in the opening act when she returns to the stage after killing her husband and sister, who were supposed to be part of the act as well. Once ...
Chicago: Music from the Miramax Motion Picture is a soundtrack album featuring all of the original songs of the 2002 Best Picture Academy Award-winning musical film Chicago starring Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Mýa Harrison and Christine Baranski.
He was based in Chicago for most of the 1920s, and played with such jazz notables as Bix Beiderbecke, Jack Teagarden, and Frank Teschemacher. He and Red McKenzie formed the Chicago Rhythm Kings in 1925. [3] While in Chicago, Condon and other white musicians would go to Lincoln Gardens to watch and learn from King Oliver and his band. [4]