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"I.O.U." is a song by British musical group Freeez, released in 1983. The song was written and produced by Arthur Baker and remixed by Jellybean Benitez and Arthur Baker.The song was an international hit, reaching number two on the UK Singles Chart and topping the US Billboard Dance/Disco Top 80 chart, giving Freeez their only chart-topping single on any Billboard chart.
To achieve the effect, the 1980s remix artists take the original song and "slather it with obsolete-sounding synthesizer music." [10] They use different images of '80s music such as saxophone solos, syncopated synthesizer beats, and a more liberal use of chord progressions than the originals. Some covers seek inspiration from specific 1980s songs.
House music was strongly influenced by elements of soul- and funk-infused varieties of disco. Club play from pioneering DJs like Ron Hardy and Lil Louis, local dance music record shops, and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago and among visiting DJs & producers from Detroit. Trax Records ...
Pages in category "1980s in music" ... This list may not reflect recent changes. 1980s in music ' '80s remix; 0–9. 1980s in jazz; 1980s in Latin music; A. Album era;
80 "I Pledge My Love" Peaches & Herb: 81 "The Long Run" Eagles: 82 "Stand by Me" Mickey Gilley: 83 "Heartbreaker" Pat Benatar: 84 "Déjà Vu" Dionne Warwick: 85 "Drivin' My Life Away" Eddie Rabbitt: 86 "Take the Long Way Home" Supertramp: 87 "Sara" Fleetwood Mac: 88 "Wait for Me" Daryl Hall & John Oates: 89 "Jojo" Boz Scaggs: 90 "September Morn ...
1985 year-end chart performance for "You're My Heart, You're My Soul" Chart (1985) Position Austria (Ö3 Austria Top 40) [21] 2 Belgium (Ultratop 50 Flanders) [22] 7
"Reality" is a song by French composer Vladimir Cosma, performed by English singer Richard Sanderson. It was released in 1980 as part of the soundtrack to the popular 1980 French film La Boum, which starred French actress Sophie Marceau.
Instead of pushing this style of music as a solidified sound, the labels separated the cities. This caused the Miami sound of freestyle music to be more popularized through the radio compared to NYC's sound at the time. The labels who pushed out low quality tracks ended up hurting themselves, instead of making the track a quality piece of music ...