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The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients, vibrato, and envelope modulation. A simple tone, or pure tone, has a sinusoidal waveform. A complex tone is a combination of two or more pure tones that have a periodic pattern of repetition, unless specified otherwise.
Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and pre-recorded 4 track tape (1979) Trois Visages à Liège electronic music (1961) Votre Faust (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor .
Andrews, H. K. 2001. "Whole-Tone Scale". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. Antokoletz, Elliott. 1984. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Berkeley and Los Angeles: University of California Press.
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor).). This is a very unusual form in tonal music, [1] [2] although examples became more common in the nineteenth century
Piano line in the intro is octatonic, bass synth adds a ninth tone. Adi Morag "Octabones" (1999) Orbital; Oolaa from the Green Album. Suraj Synthesist Khayaal , a lil fantasy [16] [17] Gilad Hochman; Closer for two alto saxophones (2022) Polarizations for solo viola (2023) Dream Theater; The Dark eternal night [18]
The following is a list of musical scales and modes. Degrees are relative to the major scale. ... Whole tone: Minor: Usual Aeolian mode or natural minor scale:
This is an incomplete list of atonal ... Eight Improvisations on Hungarian Peasant Songs, Op. 20 [1 ... List of music students by teacher; List of tone rows and ...
List of pieces using polytonality and/or bitonality.. Samuel Barber. Symphony No. 2 (1944) [citation needed]; Béla Bartók. Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of E ♭ dorian and the left hand uses those of either G mixolydian or dorian [1]