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Credibility gap is a term that came into wide use with journalism, political and public discourse in the United States during the 1960s and 1970s. At the time, it was most frequently used to describe public skepticism about the Lyndon B. Johnson administration's statements and policies on the Vietnam War . [ 1 ]
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John Sanford Gilliland Jr. (October 18, 1935 – July 27, 1998) was an American radio broadcaster and documentarian best known for the Pop Chronicles music documentaries and as one of the original members of The Credibility Gap. He was born and died in his hometown of Quanah, Texas.
Credibility dates back to Aristotle's theory of Rhetoric.Aristotle defines rhetoric as the ability to see what is possibly persuasive in every situation. He divided the means of persuasion into three categories, namely Ethos (the source's credibility), Pathos (the emotional or motivational appeals), and Logos (the logic used to support a claim), which he believed have the capacity to influence ...
This page in a nutshell: Wikipedia gains credibility by being Anti-Fringe, factual, calling things by their right names, and confidently opposing Pro-Fringe editors.A dominance of Anti-Fringe editors causes Pro-Fringe editors to be less successful, leave the project, and their loss is a benefit to the project and directly boosts its credibility.
Thom Beck (died October 15, 1986) [1] was a founding member of The Credibility Gap while at KRLA 1110 radio, [2] where he also narrated part of the Pop Chronicles. [3] He was kept on as a journalist at KRLA 1110 when Lew Irwin was brought in create the new news program that became the Credibility Gap. [ 4 ]
In June 2006, Roy Rosenzweig, a professor specializing in American history, published a comparison of the Wikipedia biographies of 25 Americans to the corresponding biographies found on Encarta and American National Biography Online. He wrote that Wikipedia is "surprisingly accurate in reporting names, dates, and events in U.S. history" and ...
The Credibility Gap broke up in 1976 when Lander and McKean left to perform in the sitcom Laverne & Shirley. [3] Shearer started working with Albert Brooks, producing one of Brooks' albums and co-writing the film Real Life (1979). Shearer also started writing for Martin Mull's television series Fernwood 2 Night. [3]