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A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda. Some personifications in the Western world often took the Latin name of the ancient Roman province. Examples of this type include Britannia, Germania, Hibernia, Hispania, Helvetia and Polonia.
National personifications in comic books (4 C, 11 P) I. Personifications of Ireland (12 P) M. Marianne (personification) (5 P) U. Uncle Sam (26 P) Pages in category ...
Paul Stahr's personified Columbia in an American flag gown and Phrygian cap, from a World War I patriotic poster (c. 1917). Columbia (/ k ə ˈ l ʌ m b i ə /; kə-LUM-bee-ə), also known as Lady Columbia or Miss Columbia, is a female national personification of the United States.
In the 18th century, British America began to use personifications based on Britannia and Liberty, as well as Columbia, something of a combination of these. As more new nations became independent in the Americas, new national personifications were adopted.
The iconography of several personifications "maintained a remarkable degree of continuity from late antiquity until the 18th century". [9] Female personifications tend to outnumber male ones, [10] at least until modern national personifications, many of which are male.
The concept of liberty has frequently been represented by personifications, often loosely shown as a female classical goddess. [1] Examples include Marianne, the national personification of the French Republic and its values of Liberté, Égalité, Fraternité, and the female Liberty portrayed in artworks, on United States coins beginning in 1793, and many other depictions.
A national consciousness is a shared sense of national identity [32] and a shared understanding that a people group shares a common ethnic/linguistic/cultural background. Historically, a rise in national consciousness has been the first step toward creating a nation .
Oil on canvas, 156 × 232 cm, National Museum, Kraków. Pictured is the aftermath of the failed January 1863 Uprising; one of the most patriotic and symbolic paintings by Matejko. Captives await exile to Siberia. Russian officers and soldiers supervise a blacksmith placing shackles on the woman (Polonia).