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"Göttingen" is a song written and recorded as a single in 1964 by French singer Barbara, who later also recorded a German language version. [1] The song, which appeared on Barbara's album Le Mal de vivre, has been credited with having contributed to improved relations between France and Germany in the years after the Second World War.
Wartke got the idea of making a humorous rap-like song and video based on the tongue twister, while Fisher created the music and lyrics. [2] [15] [16] Wartke often makes comedic songs from German tongue twisters, which he says he frequently discovers on speech therapy websites. [16] When asked if Barbara is a real person, Wartke replied: "Sure!
Bret also adapted three of her songs, "Ma Plus Belle Histoire D'Amour", "La Solitude", and "Précy Jardin" into English for Barbara. These were taped in 1992, but so far have never been released. [ citation needed ] In 1971, the Spanish singer Maria del Mar Bonet recorded a cover of L'Aigle Noir in Catalan which was a success in Spanish ...
The Threepenny Opera [a] (Die Dreigroschenoper [diː dʁaɪˈɡʁɔʃn̩ˌʔoːpɐ]) is a 1928 German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, [1] and four ballads by François Villon, with music by Kurt Weill.
It is a collection of 16 songs by German composers Kurt Weill and Hanns Eisler, with lyrics by Bertolt Brecht and sung by Krause in English. She also sang the songs in the original German which were released by Hannibal at the same time on a companion album, Angebot & Nachfrage: Lieder von Brecht / Weill & Eisler. [2] Supply and Demand was ...
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"Answer Me" is a popular song, originally titled "Mütterlein", with German lyrics by Gerhard Winkler and Fred Rauch. "Mütterlein" was published on 19 April 1952. English lyrics were written by Carl Sigman, and the song was published as "Answer Me" in New York on 13 October 1953. [1]
The song was composed by Oscar-winner Hans Zimmer in collaboration with Kara Talve and Walter Afanasieff. With lyrics by Charlie Midnight, it is Streisand’s first-ever recording for a TV series.