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OBS Studio is a free and open-source app for screencasting and live streaming. Written in C / C++ and built with Qt , OBS Studio provides real-time capture, scene composition, recording, encoding, and broadcasting via Real-Time Messaging Protocol (RTMP), HLS , SRT, RIST or WebRTC .
JPEG XS is a light-weight compression that visually preserves the quality compared to an uncompressed stream, at a low cost, targeted at compression ratios of up to 10:1. With XS, it is for example possible to repurpose existing SDI cables to transport 4K60 over a single 3G-SDI (at 4:1), and even over a single HD-SDI (at 8:1).
The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.
The HEVC standard defines thirteen levels. [1] [2] A level is a set of constraints for a bitstream.[1] [2] For levels below level 4 only the Main tier is allowed.[1] [2] A decoder that conforms to a given tier/level is required to be capable of decoding all bitstreams that are encoded for that tier/level and for all lower tiers/levels.
In ITU-T P.910, it is noted that methods such as DCR should be used for testing the fidelity of transmission, especially in high quality systems. ACR and ACR-HR are better suited for qualification tests and – due to giving absolute results – comparison of systems.
DNxHR HQX - High Quality (12-bit 4:2:2) (UHD/4K Broadcast-quality delivery) DNxHR 444 - Finishing Quality (12-bit 4:4:4) (Cinema-quality delivery) Bandwidth requirements for the codec and its different flavors have been announced in the "Avid High Resolution Workflows Guide - December 2014" on page 166-172.
The processing quality of 12-bit images is considered high when the PSNR value is 60 dB or higher. [ 3 ] [ 4 ] For 16-bit data typical values for the PSNR are between 60 and 80 dB. [ 5 ] [ 6 ] Acceptable values for wireless transmission quality loss are considered to be about 20 dB to 25 dB.
The end product of the offline non-linear editing process is a frame-accurate edit decision list (EDL) which can be taken, together with the source tapes, to an online quality tape or film editing suite. The EDL is then read into an edit controller and used to create a replica of the offline edit by playing portions of the source tapes back at ...