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A man wearing a ruffled white satin poet blouse. The famous Seinfeld "puffy shirt", an example of a poet shirt blouse.. A poet shirt (also known as a poet blouse or pirate shirt) is a type of shirt made as a loose-fitting blouse with full bishop sleeves, usually decorated with large frills on the front and on the cuffs. [1]
The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into ...
Chattayum Mundum is a traditional attire used by the Syrian Christian women of Kerala. [1] It is a seamless white garment, consisting of a white blouse covering the whole upper part of the body ("Chatta") and a long white garment called "Mundu" which is wrapped around the waist which reaches to the ankles.
During the Song dynasty, the skirts were eventually lowered from the breast level back to the normal waistline. [17] By the Ming dynasty, ruqun became the most common form of attire for women. The sleeves of the blouse were mostly curved with a narrow sleeve cuff (琵琶袖, pipa sleeve).
Anne's gown is open at the front to reveal a figured silk kirtle beneath. The gowns have wide sleeves with turned-back cuffs lined in fur, 1508. Anne Stafford wears a black fur-lined gown with turned-back sleeves over a dark kirtle [13] She wears a soft sash at her waist and a sheer partlet over a square-necked chemise, c. 1535.
Back view of a knee-length Italian cioppa or houppelande of figured silk. One sleeve is turned back to the shoulder to reveal the lining and the doublet sleeve beneath. Sienna, 1442. Philip the Good, Duke of Burgundy, wears an elaborately draped chaperon with a black-on-black figured silk short robe with width at the shoulder, 1447–1448.
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The long, tight sleeves of the early 17th century grew shorter, fuller, and looser. A common style of the 1620s and 1630s was the virago sleeve, a full, slashed sleeve gathered into two puffs by a ribbon or other trim above the elbow. In France and England, lightweight bright or pastel-coloured satins replaced dark, heavy fabrics.