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The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
Bizunesh Bekele [2] (Amharic: ብዙነሽ በቀለ; 1936 – 25 June 1990) was an Ethiopian soul singer who was popular in the 1960s and 1970s of Golden Age. She was referred to as "Aretha Franklin of Ethiopia" due to similitude of musical style. Her songs were released in her native Amharic language. [3] [4]
The following is an alphabetical list of notable musicians using Amharic vocals in their musical compositions. The Amharic language is predominantly used in Ethiopia . Contents:
Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5] Western sources often compare tizita to the blues.
The music of Ethiopia is a reflection of all the historical and social episodes, such as the military campaigns that various warlords or chiefs had to launch. The music is about war as well as patriotism, songs of victory, and songs that incite support for a certain crusade. [10] The music is also about love, with wonderful melodies and poetic ...
Tilahun Gessesse (Amharic: ጥላሁን ገሠሠ; 27 September 1940 – 19 April 2009) was an Ethiopian singer regarded as one of the most popular Ethiopian artist of the 20th century. Noted by his tenor voice, he was nicknamed "The Voice" during his country's " Golden Age " in the 1960s.
In 2007, The Emahoy Tsege Mariam Music Foundation was set up to help children in need, both in Africa and in the Washington, D.C. metro area, to study music by way of scholarships, camps, and various music-oriented programs. [19] In 2017, BBC Radio 4 released an audio documentary on Emahoy's life entitled The Honky Tonk Nun. [20]
His first song on vinyl was Hedetch Alu, which was recorded in 1972 by Girma Bèyènè (piano and arrangements), Tesfa Mariam Kidane (tenor sax), Tekle Adhanonm (guitar), Fekade Amde Meskel (bass), Tesfay Mekonnen (drums) and Melesse himself. In 1975, he recorded his second song, "Wetetie Mare and Ete Endenesh Gedawo", with Equator Band.