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Another recent double feature was the Duel Project, when Japanese directors Ryuhei Kitamura and Yukihiko Tsutsumi created competing films to be shown and voted on by the premier audience. One of the Marvel Animated Features, a direct-to-video series features Hulk vs. which is a double feature, has Hulk vs. Wolverine and Hulk vs. Thor.
The tenth season of the American horror anthology television series American Horror Story, subtitled Double Feature (stylised in the opening credits with the alternate subtitle Chapter 10), is composed of two stories, each taking up half the season.
The main announcer on Creature Double Feature was a Channel 56 long-time booth announcer, Neil MacNevin. His radio/TV name was Tom Evans. His radio/TV name was Tom Evans. He and an engineer named Press Campbell would create sound effects, echoes, wind etc. off the cuff during the weekly recording sessions for the movie and promos for CDF during ...
Pages in category "American Horror Story: Double Feature episodes" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes .
The B movie, whose roots trace to the silent film era, was a significant contributor to Hollywood's Golden Age of the 1930s and 1940s. As the Hollywood studios made the transition to sound film in the late 1920s, many independent exhibitors began adopting a new programming format: the double feature.
Hulk vs. is a double feature film released on DVD and Blu-Ray on January 27, 2009, and the sixth in the series. [17] The two features are Hulk vs. Thor and Hulk vs. Wolverine. [18] In Hulk vs. Thor, Thor's villainous half-brother Loki teams up with the Enchantress to use the Hulk against him.
Creature Double Features was the name of a show broadcast by WKBG Channel 56 in the Greater Boston area. In 1972 WKBG, a station in the Kaiser Broadcasting chain, aired its collection of Godzilla movies on Saturday under the title, The 4 O'Clock Movie. Shortly thereafter, they started calling it Creature Feature and then Creature Double Feature ...
With audiences draining away to television and other economic pressures forcing the studios to scale back production schedules, the Golden Age–style double feature began disappearing from American theaters. At the beginning of the 1950s, most U.S. movie houses still programmed double features at least part of the time. [2]