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A Nepalese figure of Maheśvara, dated to the 14th century. The Sanskrit name Maheśvara is composed of two "Mahā" and "Īśvara". The "ā" of mahā and the "ī" of īśvara combine to form a sandhi, which becomes "e", forming the word "Maheśvara".
Nepal Uma Mahesvara, Cleveland Museum of Art, 1300 CE The several Silpa texts mention definite rules to create an image of Uma–Maheshwara. The Indian artists, working throughout history, have followed these scriptural injunctions to create the images of the divine couple in diverse media, but mostly in stone and bronze sculptures.
However, in Vedic Sanskrit, the word ambā or ambikā means "mother", and this early meaning of the word is the basis for the translation "three mothers".
The Śiva·sūtras, technically akṣara·samāmnāya, variously called māheśvarāṇi sūtrāṇi, pratyāhāra·sūtrāṇi, varṇa·samāmnāya, etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.
His five deeds, known "Panchakrityas" (five holy acts), are assigned to Panchamurti, his five aspects, viz., Brahma, Vishnu, Rudra, Mahesvara and Sadasiva (Mahesvara and Sadashiva are forms of Shiva, Rudra is also refers as Shiva ). Creation, Preservation, Destruction, Obscuration and Grace are done by these five manifestations respectively.
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Uma-maheshvara was born in a family belonging to the Vellala social group. [1] He was a disciple of Akshaya-suri (or Akkaya-suri) of Mokshagundam family. [2] [3]According to the Rajashekhara-charita (or Shabharanjana-shataka) of his disciple Kavi-kunjara, Uma-maheshvara "put an end to the machinations" of Durjaya, the court poet of the Vijayanagara king Raja-shekhara.