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Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women's hair. The beads were about one millimetre long. [citation needed] A female skeleton (presently on display at the National Museum, New Delhi, India) wears a carlinean bangle (bracelet) on her left hand.
Example of bead set diamonds Example of pavé set diamonds "Bead setting" is a generic term for setting a stone directly into metal using gravers, also called burins, which are essentially tiny chisels. A hole is drilled directly into the surface of the metal, before a ball burr is used to make a concave depression the size of the stone.
The bead with its design than has to be fired at the proper temperature, not too hot lest the beads fractures, but hot enough so as to permit the chemical etching of the carnelian stone. [10] The result design comes out beautifully white, usually with some surface calcinated residues which can be easily brushed away.
The Huichol have a long history of beading, making the beads from clay, shells, corals, seeds and more and using them to make jewelry and to decorate bowls and other items. The "modern" beadwork usually consists of masks and wood sculptures covered in small, brightly colored commercial beads fastened with wax and resin.
Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique. Today, beadwork is commonly practiced by jewelers, hobbyists, and contemporary artists; artists known for using beadwork as a medium include Liza Lou, Ran Hwang, Hew Locke, Jeffery Gibson, and Joyce J. Scott.
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