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Antonio Jesús Naguiat Molina (December 26, 1894 – January 29, 1980) was a Filipino composer, conductor and music administrator. He was named a National Artist of the Philippines for his services to music. He was also known as the "Claude Debussy" of the Philippines due to his use of impressionist themes in music. [3]
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
"Ikaw Na" (2014), music and lyrics by Dindo Purto, SSP "MaGMAhalan Tayo Ngayong Pasko" (2015), written by Brian James Camaya and Clare Yee and music by Simon Peter Tan and sung by Alden Richards "Thank You For The Love" (2015), written by Robert Labayen and music by Thyro Alfaro and Yumi Lacsamana "Nakakamiss ang Pasko" (2015), written by Cl.
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
Antonio Molina De Oses (9 March 1928 - 18 March 1992) was a Spanish Flamenco dancer and popular singer and actor in films and on theatrical stage. Born in Málaga , from the age of 10 he showed great aptitude for flamenco singing, and became popular by participating in various radio shows.
The Fisher of Songs (Spanish: El pescador de coplas) is a 1954 Spanish musical comedy film directed by Antonio del Amo and starring Marujita Díaz, Tony Leblanc and Antonio Molina. [ 1 ] Plot
The song started with Pablo Molina singing a slow melodic line in an operatic manner, accompanied by funereal organ chords. Peppy, spirited keyboard lines jump in, and the song is kickstarted to a lively, highly melodic tune, [4] with a synthesizer riff. The song also features a guitar solo by Teddy Diaz.