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The musician sits on top of the box reaching down to pluck the tongues whilst slapping the sides of the box like a drum. The instrument's evolution and playing style is similar to the cajon box drum. This instrument was very important in the development of Afro-Cuban music as it was one of the basic instruments played by changüí musicians.
Afro-Colombian youth playing the marimba de chonta. In Colombia the most widespread marimba is the marimba de chonta (peach-palm marimba). Marimba music has been listed on UNESCO as an intangible part of Colombian culture. [16] In recent times marimberos (marimba players) and the marimba genres as a whole have started to fade out in popularity ...
Típico groups play a variety of rhythms, but most common are the merengue and the pambiche. In the 1930s–1950s, a bass instrument was also often used. Called marimba, it resembles the Cuban marímbula, and is a large box-shaped thumb piano with 3-6 metal keys. The main percussion instruments, güira and tambora, have been a part of the ...
The song starts with dominant vocals, drums, and marimba, but soon features a guitar solo performed by Zappa in late September 1974 at a live performance in Helsinki, Finland. An edited version of this solo recording (and part of the bass and drums accompaniment) was "grafted" onto a performance of the song from August 27, 1974 at KCET in Los ...
Leigh Howard Stevens (born March 9, 1953, in Orange, New Jersey [1]) is a marimba artist best known for developing, codifying, and promoting the Stevens technique or Musser-Stevens grip, a method of independent four-mallet marimba performance based on the Musser grip.
Arthur Hunt Lyman (February 2, 1932 – February 24, 2002) was a Hawaiian jazz vibraphone and marimba player. His group popularized a style of faux-Polynesian music during the 1950s and 1960s which later became known as exotica.
Burton grip was also designed so that a player could play two-mallet lines and melodies without having to put down two mallets. Gary Burton had observed that jazz vibraphonists would tend to play harmony using four mallets, but switch to a two mallet grip to solo, so he made the Burton grip so that one could solo without having to switch grips ...
Keiko Abe (安倍 圭子, Abe Keiko, born April 18, 1937) is a Japanese composer and marimba player. She has been a primary figure in the development of the marimba, in terms of expanding both technique and repertoire, and through her collaboration with the Yamaha Corporation, developed the modern five-octave concert marimba.