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Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
Robert Michael Mapplethorpe (/ ˈ m eɪ p əl ˌ θ ɔːr p / MAY-pəl-thorp; November 4, 1946 – March 9, 1989) was an American photographer, best known for his black-and-white photographs.
In the 1970s, Hilliard examined how changes to the process of black and white photography could affect the outcome. His art showed how the camera's notional objectivity was vulnerable to decisions made by the photographer leading up to the instant of the exposure, as well as subsequent decisions made in the darkroom concerning paper selection and development techniques.
Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Early photographs in the late 19th and early to mid 20th centuries were often developed in black and white, as an alternative to sepia due to limitations in film available at the time.
Monochrome photography, also known as black-and-white photography; Monochrome painting, a style of painting that uses a single color (excluding shades thereof) Monochrome printmaking, printing styles that generate black-and-white images; Polychrome, of multiple colors, the opposite of monochrome