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An 18th century CE painting depicting Shiva and Parvati with their sons Ganesha and Kartikeya. Indian religious literature describes Kartikeya and Ganesha as sons of Shiva and Parvati. Shavite puranas such as Ganesha Purana, Shiva Purana and Skanda Purana state that Ganesha is the elder of the two.
Shiva and Parvati as Uma-Maheshvara; 11th-century sculpture. Three images are central to the mythology, iconography, and philosophy of Parvati: the image of Shiva-Shakti, the image of Shiva as Ardhanarishvara (the Lord who is half-woman), and the image of the linga and the yoni.
A bearded Shiva sits in the centre with his wife Parvati and their infant son Ganesha; surrounded by (clockwise from left upper corner) Ganesha, Devi, Vishnu, and Surya. Shiva's mount is the bull Nandi below Shiva. In the Smarta tradition of Hinduism, Shiva is a part of its Panchayatana puja. [181]
[6] [7] An anachronism found in a few Kalyanasundara scenes is the presence of the yet-unborn children of Shiva and Parvati, Ganesha and Kartikeya. Examples of this anachronism are found at the Rameshvara Cave of Ellora , and in a 9th-century sculpture from Uttar Pradesh now housed in Los Angeles County Museum of Art .
The temple is located on top of a hill, known as Mount Joy, with walkways and stairs leading to the summit. Special prayers are performed during "Subbaraya (Subramanya) Shasti". Adjoining the statue of Kumara Swamy, are the sacred Shiva Lingam, Ganesha in a seated posture and Parvati.
Historians have noted that apart from Shiva, no other male deity in early Indian iconography have been depicted with their spouses. [11] The Uma–Maheshwara image can also be found in the Shaiva sculptures and coins from Mathura, with the earliest depiction of Shiva–Parvati on a gold coin issued by Huvishka, the Kusana Emperor. [11]
The Dokra artisans of Bankura make various kinds of images and figurines of gods and goddesses, birds and animals, like Lakshmi, Lakshmi-Narayan, Shiva-Parvati flanked by Ganesh and Kartik, elephants, horses, owls, peacocks etc. [37]