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Quran imitations represent literary attempts to replicate the style, form and content of the Quran. Historically, they emerge in a dialectic with the doctrine of the i'jaz (inimitability) of the Quran, which asserts that the literary and/or semantic nature of the Quran cannot be reproduced by a human.
A belief held, or at least suggested, even such scholars as the famous revivalist Abul A'la Maududi-- "not even the most sceptical person has any reason to doubt that the Qur’än as we know it today is identical with the Qur’än which Muhammad set before the world"—and the Orientalist A.J. Arberry-- "the Koran as printed in the twentieth ...
Hafiz (/ ˈ h ɑː f ɪ z /; Arabic: حافظ, romanized: ḥāfiẓ, pl. ḥuffāẓ حُفَّاظ, f. ḥāfiẓa حافظة), depending on the context, is a term used by Muslims for someone who has completely memorized the Quran which consists of 77,797 words in the original Classical Arabic. [1]
Most of these ten recitations are known by the scholars and people who have received them, and their number is due to their spreading in the Islamic world. [5] [6]However, the general population of Muslims dispersed in most countries of the Islamic world, their number estimated in the millions, read Hafs's narration on the authority of Aasim, which is more simply known as the Hafs' an Aasim ...
He also insists on the basis of Quranic verses (Quran 87:6-7, 75:16-19) that Quran was compiled in the life of Muhammad, hence he questions those hadith which report compilation of Quran in Uthman's period: [43] Most of these narrations are reported by Ibn Shihab al-Zuhri, who Imam Layth Ibn Sa‘d considered an unreliable source.
Al-Tabari was a Sunni scholar from the 9th and 10th century and arguably the most predominant figure in Quranic hermeneutics. Al-Tabari's traditional approach to interpretation relies heavily on the Hadith reports as a tool for clarification when the Qur'an presents a mutishabihat (ambiguous verse).
Tadabbur-i-Qur'an (Urdu: تدبر قرآن) is a exegeses of the Qur'an by Amin Ahsan Islahi based on the concept of thematic and structural coherence, which was originally inspired by Allama Hamiduddin Farahi. The tafsir is extended over nine volumes of six thousand pages.
The Arabic word for God (Allāh) depicted as being written on the rememberer's heart. Dhikr (Arabic: ذِكْر; [a] / ð ɪ k r /; lit. ' remembrance, reminder, [4] mention [5] ') is a form of Islamic worship in which phrases or prayers are repeatedly recited for the purpose of remembering God.