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The Mamas & the Papas were a vocal group from Los Angeles, California that was active from 1966 to 1969. Their discography consists of a total of five albums and 17 singles, six of which made the Billboard top ten, and sold close to 40 million records worldwide. [ 1 ] "
The song reached No. 12 in the US and No. 11 in the UK, making "Dream a Little Dream of Me" the only single by the Mamas & Papas to chart higher in the UK than in the US. The fourth and final single from The Papas & The Mamas, "For the Love of Ivy" (July 1968), peaked at No. 81 in the US. For the second time, Dunhill Records returned to the ...
"Creeque Alley" is an autobiographical hit single written by John Phillips and Michelle Phillips of the Mamas and the Papas in late 1966, narrating the story of how the group was formed, and its early years. The third song on the album Deliver, it peaked at number 5 on the US Billboard pop singles chart the week of Memorial Day 1967,
After the breakup of the Mamas & the Papas and her divorce from John Phillips, she transitioned into acting, appearing in a supporting part in The Last Movie (1971) before being cast as Billie Frechette in the critically acclaimed crime biopic Dillinger (1973), for which she was nominated for a Golden Globe Award for Most Promising Newcomer.
Despite its reputation, it sold moderately well (#84 on the Billboard Pop Albums Chart). [1] It was produced by John Phillips. Michelle Phillips later wrote in the liner note of a Mamas & Papas CD compilation that the album "sounded like what it was, four people trying to avoid a lawsuit". This mostly had to do with the spark in the group's ...
John Edmund Andrew Phillips (August 30, 1935 – March 18, 2001) [1] was an American musician. He was the leader of the vocal group the Mamas & the Papas and remains frequently referred to as Papa John Phillips.
Given the disappointing chart placement of the prior single, "Look Through My Window", hopes were high that "Words of Love" would return the group to the upper reaches of the charts: on the week of January 21, 1967, the single fulfilled this hope, as it reached No. 5 in the United States. [4] Overseas, it peaked at No. 47 in the United Kingdom.
The album was recorded at the home of John and Michelle Phillips, although with the same production team as on previous albums.Their original studio, Western Recorders, switched to solid state technology, and Phillips and Adler purchased the tube-based board they had done their previous recordings with, and installed it in their new studio.