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The decibel originates from methods used to quantify signal loss in telegraph and telephone circuits. Until the mid-1920s, the unit for loss was miles of standard cable (MSC). 1 MSC corresponded to the loss of power over one mile (approximately 1.6 km) of standard telephone cable at a frequency of 5000 radians per second (795.8 Hz), and matched closely the smallest attenuation detectable to a ...
10 −1: 1 decihertz (dHz) 189 mHz: Acoustic – frequency of G −7, the lowest note sung by the singer with the deepest voice in the world, Tim Storms. His vocal cords vibrate 1 time every 5.29 seconds. 10 0: 1 hertz (Hz) 1 to 1.66 Hz: Approximate frequency of an adult human's resting heart beat: 1 Hz: 60 bpm, common tempo in music 2 Hz
For example, the frequency one octave above 40 Hz is 80 Hz. The term is derived from the Western musical scale where an octave is a doubling in frequency. [note 1] Specification in terms of octaves is therefore common in audio electronics. Along with the decade, it is a unit used to describe frequency bands or frequency ratios. [1] [2]
The frequency range often specified for audio components is between 20 Hz to 20 kHz, which broadly reflects the human hearing range. Well-designed solid-state amplifiers and CD players may have a frequency response that varies by only 0.2 dB between 20 Hz to 20 kHz. [4]
The SI unit of frequency is the hertz (Hz). It is the property of sound that most determines pitch. [1] The generally accepted standard hearing range for humans is 20 to 20,000 Hz. [2] [3] [4] In air at atmospheric pressure, these represent sound waves with wavelengths of 17 metres (56 ft) to 1.7
A pendulum with a period of 2.8 s and a frequency of 0.36 Hz. For cyclical phenomena such as oscillations, waves, or for examples of simple harmonic motion, the term frequency is defined as the number of cycles or repetitions per unit of time.
Vinyl microgroove phonograph records typically yield 55-65 dB, though the first play of the higher-fidelity outer rings can achieve a dynamic range of 70 dB. [25] German magnetic tape in 1941 was reported to have had a dynamic range of 60 dB, [26] though modern-day restoration experts of such tapes note 45-50 dB as the observed dynamic range. [27]
24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...