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In his 1840 biography of Beethoven, Schindler named Julie ("Giulietta") Guicciardi as the "Immortal Beloved". [14] [g] But research by Tellenbach (1983) indicated that her cousin Franz von Brunsvik may have suggested Giulietta to Schindler, to distract any suspicion away from his sister Josephine Brunsvik, with whom Beethoven had been hopelessly in love from 1799 to ca. 1809/1810. [15]
Beethoven's Letters (1790–1826). Vol. 1. Translated by Lady Wallace. Boston & New York: Oliver Ditson – via Project Gutenberg. Brown, A. Peter (2002). "Notes on Joseph Haydn's lieder and canzonettas". In Darwin Floyd Scott (ed.). For the Love of Music: Festschrift in Honor of Theodore Front on His 90th Birthday. Lim Antiqua. ISBN 9788888326016.
Josephine Brunszvik, miniature drawn by pencil, before 1804. Josephine Brunsvik or Countess Jozefina Brunszvik de Korompa, Countess Josephine Deym, (Hungarian: Brunszvik Jozefina; 28 March 1779 – 31 March 1821) was probably the most important woman in the life of Ludwig van Beethoven, as documented by at least 15 love letters he wrote her where he called her his "only beloved", being ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Beethoven's Piano Sonata No. 30 sketch. Beethoven's sketches give scholars an insight into his compositional process. [7] The sketches do not dictate how audiences should interpret or experience the piece. However, they do reveal information about Beethoven himself and act more as a bibliographic aid rather than an analytical tool. [7]
The music was published as part of Nohl's Neue Briefe Beethovens (New letters by Beethoven) on pages 28 to 33, printed in Stuttgart by Johann Friedrich Cotta. [ 5 ] The version of "Für Elise" heard today is an earlier version that was transcribed by Ludwig Nohl.