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It was created by Charles Strouse and Lee Adams for the 1966 Broadway show It's a Bird...It's a Plane...It's Superman and sung by Linda Lavin in the show. Lavin plays a secretary at the Daily Planet with a crush on Clark Kent and the song describes her hope to change Kent's mild-mannered, square persona [1] ("Let me pry you from your shell ...
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It's a Bird... is a 2004 graphic novel released by DC Comics under its mature-readers Vertigo imprint.Written by Steven T. Seagle, with art by Teddy Kristiansen, it is an autobiographical book that chronicles Seagle's thoughts as he tries to work out a new approach in one of the world's most popular characters, Superman while dealing with the "family secret" which has come back to the forefront.
Superman jumps out of the plane and comes back in through the bomb hatch to save Lois as she's being dropped. He unties her and starts fighting the hijackers. One of them breaks the plane's controls, and the plane starts falling towards the city. Superman takes Lois out of the plane and places her on the ground, then flies back up and catches ...
During their next confrontation, which occurs in the middle of a city, Superman implores the group to move their imminent duel elsewhere, and the Elite obliges by transporting themselves and Superman to the Jovian moon Io, along with a group of hovering camera drones that transmit the ensuing battle back to Earth. Superman then endures a ...
Because SparkNotes provides study guides for literature that include chapter summaries, many teachers see the website as a cheating tool. [7] These teachers argue that students can use SparkNotes as a replacement for actually completing reading assignments with the original material, [8] [9] [10] or to cheat during tests using cell phones with Internet access.
Two productions were staged the next year. Both the St. Louis Municipal Opera and the Kansas City Starlight Theatre (in 1966, titled Superman) [4] re-staged the show, and Bob Holiday played Superman in both productions. Each was an open-air venue, requiring the use of a large crane to facilitate Superman's flights.
A.C. Grayling, writing in The Spectator, traces Superman's stances through the decades, from his 1930s campaign against crime being relevant to a nation under the influence of Al Capone, through the 1940s and World War II, a period in which Superman helped sell war bonds, [202] and into the 1950s, where Superman explored the new technological ...