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"Fracture" by Edison's Children (Neil Armstrong's son's band) from their 11/11/2011 released album about an Alien Abduction "In The Last Waking Moments...", [15] [16] the opening song performed at the NASA Concert Celebration for 50th Anniversary of Neil Armstrong & Apollo 11 starring Rick Armstrong on bass & guitar [17] [18]
Antarctica is a soundtrack album by the Greek electronic composer Vangelis, released in 1983. It is the score of the 1983 Japanese film Antarctica (" Nankyoku Monogatari ", lit. "South Pole Story") directed by Koreyoshi Kurahara , [ 2 ] and was nominated by the Japan Academy for "Best Music Score".
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The name was given because the sound slowly decreases in frequency over about seven minutes. It was recorded using an autonomous hydrophone array. [8] The sound has been picked up several times each year since 1997. [9] One of the hypotheses on the origin of the sound is moving ice in Antarctica. Sound spectrograms of vibrations caused by ...
As Herzog speculates about alien scientists visiting a post-human Earth, there is a sequence shot in tunnels carved deep into the ice below South Pole station, where various trinkets and mementos, including a can of Russian caviar and a whole frozen sturgeon, have been placed in carved-out shelves in the walls and preserved by the extreme cold ...
Logo of the organization in 2:3 proportions. A white outline of Antarctica on a blue field defaced with the acronym of the organization, surrounded by the text "The International Council for Science" and "Scientific Committee for Antarctic Research" arranged in a circle within a white circular line.
Alien vs. Predator (Original Motion Picture Soundtrack) is the official soundtrack album of the 2004 science fiction film Alien vs. Predator. Composed by Austrian Harald Kloser , Kloser was chosen by the film's director Paul W. S. Anderson , as he was an enthusiastic fan of the series.
The production of Aliens fell behind schedule in post-production, leaving Horner less than two weeks to write the score to the finished film, rather than the six weeks he had initially been promised. The producers were unwilling to give him any more time, and he was booked to begin scoring The Name of the Rose (1986) shortly afterwards. [5]