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The Indian peacock feathers are used in many rituals and ornamentation and its motifs are widespread in architecture, coinage, textiles and modern items of art and utility. [31] Indian peacock motifs are widely used even today such as in the logos of the NBC television network and the Sri Lankan Airlines. [101] [102]
The feathers of the peacock also symbolize sun rays, from which come light, luminosity and brightness. The peacock opening the feathers of its tail in a circular shape symbolizes the sunrise. [46] Consequently, due to its holiness, Yazidis are not allowed to hunt and eat the peacock, ill-treat it or utter bad words about it.
Sri Chanda Bhairavar, one of the Ashta Bhairava ("Eight Bhairavas"); whose mount is a peacock. Vikata (Vikaṭa) ("unusual form", "misshapen"), an avatar of Ganesha, whose mount is a peacock (in the Mudgala Purana). In general, feathers of mayura are considered sacred and are used to dust the religious images and implements of Hindus.
The radiating feathers of the peacock’s tail, revealed when it unfurls them in circular display, are held to symbolise the rays of the sun, bestowing their life-giving light each day at dawn. [13] It is therefore considered a sacred bird, which Yazidis are expressly forbidden to hunt, eat, curse or ill-treat in any way.
The Peacock Skirt was the second of ten illustrative plates published with the English version of Wilde's play. It shows a rear quarter view of a woman, Salome, wearing a long robe decorated with stylised peacock feather pattern. Her headdress is also decorated with peacock feathers, and more long peacock feathers drape down over her back.
The most spectacular practice is the vel kavadi, essentially a portable altar up to two meters tall, decorated with peacock feathers and attached to the devotee through multiple vels pierced into the skin on the chest and back. Fire walking and flagellation may also be practiced.