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The first version was for solo piano, written in 1873–74. This was not published, and is catalogued as S. 185a. In about 1875 Liszt arranged it for piano four hands (S. 612a). This was also not published. The version for solo piano (or harmonium) was revised 1874–76 (S. 186) and the version for piano four hands was revised 1876-81 (S. 613).
Piano, original 2nd version of S.171e 172a/ 5 A 61/ 5 Miserere: pf E minor 1840–47 Piano, original 1st version of S.173/8 172a/ 6 A 61/ 6 Pater noster (d'après la Psalmodie de l'Eglise) pf C major 1840–47 Piano, original 1st version of S.173/5; adapted for mch as S.21 172a/ 7 A 61/ 7 Hymne de l'enfant à son réveil: pf A ♭ major 1840 ...
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
The galop chromatique was published as a piano solo and also in a version for piano duet . Among 20th century pianists, György Cziffra notably attained enormous audience success with this piece. The galop features various technical difficulties, one of the most significant being the sixteenth-note jumps played by the right hand in bars 85 ...
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...