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A classic reference to hope which has entered modern language is the concept that "Hope springs eternal" taken from Alexander Pope's Essay on Man, the phrase reading "Hope springs eternal in the human breast, Man never is, but always to be blest:" [41] Another popular reference, "Hope is the thing with feathers," is from a poem by Emily Dickinson.
Hope (Latin: spes) is one of the three theological virtues in the Christian tradition. Hope is a combination of the desire for something and expectation of receiving it. The Christian virtue is hoping specifically for Divine union and so eternal happiness. While faith is a function of the intellect, hope is an act of the will.
A desire, on the other hand, normally expresses a yet to be realized state of affairs and so has a world-to-mind direction of fit. [8] A desire that p, unlike a belief, doesn't depict the world as being in the state that p; rather it expresses a desire that the world be such that p is true. Desire is a state that is satisfied when the world ...
The capital vices of lust and avarice, for instance, contrast with the remedial virtues of chastity and generosity, respectively, rather than with any theological or cardinal virtue; conversely, the virtues of hope and prudence are opposed to despair and foolishness rather than to any deadly sin.
The death-of-desire thesis holds that desires cannot continue to exist once their object is realized. [8] This would mean that an agent cannot desire to have something if he believes that he already has it. [48] One objection to the death-of-desire thesis comes from the fact that our preferences usually do not change upon desire-satisfaction. [8]
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Erikson's stages of psychosocial development, as articulated in the second half of the 20th century by Erik Erikson in collaboration with Joan Erikson, [1] is a comprehensive psychoanalytic theory that identifies a series of eight stages that a healthy developing individual should pass through from infancy to late adulthood.
In 1902, Charles Scribner's Sons published The Blue Flower, a collection of short stories by Henry Van Dyke, the first two of which, "The Blue Flower" and "The Source", refer to the blue flower as a symbol of desire and hope, and the object of the narrator's search.