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Erik Johansson (born April 1985) is a Swedish artist based in Prague who creates surreal images by combining photographic elements and other materials into surreal scenes. [2] [3] [4] He combines images to create what looks like a real photograph, but creates logical inconsistencies to impart an effect of surrealism.
Abigail Susik, 2024. Abigail Susik (born 1977) is an American art historian, art critic, curator, and theorist of avant-garde and contemporary art.Susik's scholarly research purview includes surrealism, dada, photography, experimental film, animation, protest art, erotic art, new media art, and projection mapping.
The paranoiac-critical method arose from similar surrealistic experiments with psychology and the creation of images such as Max Ernst's frottage or Óscar Domínguez's decalcomania, two surrealist techniques, which involved rubbing pencil or chalk on paper over a textured surface and interpreting the phantom images visible in the texture on ...
Jerry Norman Uelsmann (June 11, 1934 – April 4, 2022) was an American photographer.. As an emerging artist in the 1960s, Jerry Uelsmann received international recognition for surreal, enigmatic photographs (photomontages) made with his unique method of composite printing and his dedication to revealing the deepest emotions of the human condition.
Art critics today work not only in print media and in specialist art magazines as well as newspapers. Art critics appear also on the internet, TV, and radio, as well as in museums and galleries. [1] [82] Many are also employed in universities or as art educators for museums. Art critics curate exhibitions and are frequently employed to write ...
Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
André Masson.Automatic Drawing. (1924). Ink on paper, 9 1 ⁄ 4 × 8 1 ⁄ 8" (23.5 × 20.6 cm). Museum of Modern Art, New York. Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway.
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