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Girl before a Mirror (French: Jeune fille devant un miroir) is an oil on canvas painting by Pablo Picasso, which he created in 1932.The painting is a portrait of Picasso's mistress and muse, Marie-Thérèse Walter, who is depicted standing in front of a mirror looking at her reflection.
Pablo Ruiz Picasso [a] [b] (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France.
The Chicago Picasso, 1967 In 1964, Pablo Picasso approved the construction of one of his sculptures, depicting his wife Jacqueline, to be erected in Kristinehamn (Sweden) at Strandudden by lake Vänern. Carl Nesjar was commissioned to carry out the construction. The Picasso sculpture in Kristinehamn Sweden was inaugurated in 1965, is 15 meters high, and is the largest Picasso sculpture in the ...
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
Fernande Olivier (born Amélie Lang; 6 June 1881 – 29 January 1966) was a French artist and model known primarily for having been the model and first muse of painter Pablo Picasso, and for her written accounts of her relationship with him. Picasso painted over 60 portraits of Olivier.
Lists of Picasso artworks include: List of Picasso artworks 1889–1900; List of Picasso artworks 1901–1910; List of Picasso artworks 1911–1920; List of Picasso artworks 1921–1930; List of Picasso artworks 1931–1940; List of Picasso artworks 1941–1950; List of Picasso artworks 1951–1960; List of Picasso artworks 1961–1970
Picasso used a limited palette to draw attention to the overlapping, fragmented shapes of common objects including musical instruments, sheet music, glasses, a bottle, and a cigarette. Rather than attempt to copy the world in paint, Picasso used the canvas to experiment with texture and form, fracturing the objects into geometric shapes and ...