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Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life.
Cursive script (Chinese: 草書, 草书, cǎoshū; Japanese: 草書体, sōshotai; Korean: 초서, choseo; Vietnamese: thảo thư), often referred to as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. [1]
The Chinese Calligraphy and Painting Grading Dictionary (中国书画定级图典) states: "The calligraphy adopts the cursive script method of the Tang dynasty artist Huai Su, but it has already achieved a level of mastery that allows for free and versatile application. The brushwork is both vigorous and smooth.
Semi-cursive script, also known as running script, is a style of Chinese calligraphy that emerged during the Han dynasty (202 BC – 220 AD). The style is used to write Chinese characters and is abbreviated slightly where a character's strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. [2]
Many East Asian scripts can be written horizontally or vertically. Chinese characters, Korean hangul, and Japanese kana may be oriented along either axis, as they consist mainly of disconnected logographic or syllabic units, each occupying a square block of space, thus allowing for flexibility for which direction texts can be written, be it horizontally from left-to-right, horizontally from ...
Shu Tong was appointed as the inaugural president of the Chinese Calligraphers Association. [3] It comprises 16 professional committees. In January 1983, a group from the Chinese Calligraphy Association visited Japan at the request of the Japan-China Cultural Exchange Association .