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Duchamp's Boîte-en-valise, Cleveland Museum of Art. La Boîte-en-valise (box in a suitcase) is a type of mixed media assemblage by Marcel Duchamp consisting of a group of reproductions of the artist's works inside a box that was, in some cases, accompanied by a leather valise or suitcase.
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
About the sculpture, Duchamp said: "It is a Readymade in which the sugar is changed to marble. It is sort of a mythological effect." [2]An explanation for the piece given by Duchamp involves the coldness of the marble cubes, the "heat-giving" properties of the sugar cubes, the thermometer evaluating temperature, and the sneezing that can result from cold.
Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913. This is an incomplete list of works by the French artist Marcel Duchamp (28 July 1887 – 2 October 1968), painter, sculptor, chess player, and writer whose work is associated with Cubism, conceptual art, and Dada.
The Monte Carlo Bonds were a 1924 Marcel Duchamp work in the form of legal documents, created as bonds, originally intended to be produced in editions of 30.The creation of the work came out of Duchamp's repeated experiments at the Monte Carlo Casino, where he endlessly threw the dice in order to accumulate profit through an excruciatingly gradual process.
A letter signed "Marcel Douxami" and dated May 5, 1917, in which the author (presumably Marcel Duchamp and friends, using a humorous pseudonym) insults Picabia and muses about mechanical metaphors and double meanings present in Duchamp's previous works, including The Green Box and The Large Glass. [4]
An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...
Marcel Duchamp, Fountain, 1917; photograph by Alfred Stieglitz. A found object (a calque from the French objet trouvé), or found art, [1] [2] [3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4]