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In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
These styles have all borrowed from African rhythms and sounds, brought over the Atlantic Ocean by enslaved Africans. African music in Sub-Saharan Africa is mostly upbeat polyrhythmic and joyful, whereas the blues should be viewed as an aesthetic development resulting from the conditions of slavery in the new world. [21]
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2]
Pygmy music refers to the sub-Saharan African music traditions of the Central African foragers (or "Pygmies"), predominantly in the Congo, the Central African Republic and Cameroon. Pygmy groups include the Bayaka, the Mbuti, and the Batwa. Music is an important part of Pygmy life, and casual performances take place during many of the day's events.
Retrieved from "https://en.wikipedia.org/w/index.php?title=List_of_Sub-Saharan_African_folk_music_traditions&oldid=430170339"
Critics describe the music as a fusion of blues and rock music with Tuareg, Malian or North African music. [2] Various other terms are used to describe it [ 1 ] including desert rock , Saharan rock , [ 3 ] Takamba , [ 2 ] Mali blues , [ 4 ] Tuareg rock [ 5 ] or simply "guitar music". [ 6 ]
These aspects of sub-Saharan music has been transferred to the new world by enslaved sub-Saharan Africans and can be seen in its influence on music forms as samba, jazz, rhythm and blues, rock and roll, salsa, reggae and rap music. [248] Some forms of sub-Saharan African music use strings, horns, and very little poly-rhythms.