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The Prancing Horse is generally presented in one of two ways: either as a shield, with the Italian tricolour above the horse and the initials SF ("Scuderia Ferrari") below; or as a rectangle, replacing "SF" with the word "Ferrari". The shield variant of the logo is strongly associated with Ferrari's racing activities.
The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. Bonheur added some finishing touches in 1855. Bonheur added some finishing touches in 1855.
M. F. Husain – The Prancing Horse; Alex Katz - Black Dress [3] Yves Klein. Anthropometries of The Blue Epoch (performance art) A Leap Into The Void; Alberto Korda – Guerrillero Heroico (photograph of Che Guevara) Peter Lanyon – Thermal; Rico Lebrun – Genesis [4] Morris Louis – Unfurled paintings; Piero Manzoni – Corpo d'aria (artist ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Her paintings include Ploughing in the Nivernais, [2] first exhibited at the Paris Salon of 1848, and now in the Musée d'Orsay in Paris, and The Horse Fair (in French: Le marché aux chevaux), [3] which was exhibited at the Salon of 1853 (finished in 1855) and is now in the Metropolitan Museum of Art in New York City. Bonheur was widely ...
As the son of painter Christian Krohg, Per Krohg studied under his father at the Academie Colarossie art school in Paris between 1903 and 1907. [7] Between 1907 and 1909 Krohg was a pupil of French painter Henri Matisse. He then returned to Norway and was appointed a professor at the Oslo State Art and Craft School. [7]
As a student, Degas had filled his notebooks with drawings of horses. During a tour of breeding farms with Paul Valpincon and after exposure to horse races, Degas appreciated the movement of the horses and the colors of the jockeys uniforms. He wanted to make his paintings seem spontaneous as if he'd captured a passing moment. [2]
Asa Lynn "Ace" Powell (April 3, 1912 – January 25, 1978) was an American painter, sculptor, and etcher of genre scenes and imagery relating to indians, cowboys, horses, and wildlife. His artwork was influenced by that of fellow Montana artist Charles M. Russell .