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The saltarello. Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the tarantella in Southern Italy, and the modern revivals of folk music and dance.
The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
Italian folk music is an important part of the country's musical heritage, and spans a diverse array of regional styles, instruments and dances. Instrumental and vocal classical music is an iconic part of Italian identity , spanning experimental art music and international fusions to symphonic music and opera.
Tarantella (Italian pronunciation: [taranˈtɛlla]) is a group of various southern Italian folk dances originating in the regions of Calabria, Campania, Sicilia and Puglia. It is characterized by a fast upbeat tempo, usually in 6 8 time (sometimes 12 8 or 4 4), accompanied by tambourines. [2]
The most important book about pizzica and tarantism is The Land of Remorse, written by the Italian philosopher, anthropologist and historian of religions Ernesto de Martino. [ 1 ] There are several traditional pizzica groups, the oldest being Officina Zoé, Uccio Aloisi gruppu, Canzoniere Grecanico Salentino , and I Tamburellisti di Torrepaduli.
Calabrian Tarantella (in italian: Tarantella Calabrese or "Sonu a ballu": playing for dancing) is a generic term to include different musical-dancing expressions spread in Calabrian peninsula and different from other southern Italian dances called simply Tarantella. It is played and danced during religious festivals and other social occasions.
Frederick II, the last great Hohenstaufen Holy Roman Emperor and King of Sicily, encouraged music at the Sicilian court, which became a refuge for these displaced troubadours, where they contributed to a melting pot of Christian, Jewish, and Muslim musical styles. Italian secular music was largely the province of these jongleurs, troubadors ...
Pages in category "Italian musical instruments" The following 30 pages are in this category, out of 30 total. This list may not reflect recent changes. B. Baghèt;