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Pages in category "Italian musical instruments" The following 30 pages are in this category, out of 30 total. This list may not reflect recent changes. B. Baghèt;
There are several instruments that retain older forms even while newer models have become widespread elsewhere in Europe. Many Italian instruments are tied to certain rituals or occasions, such as the zampogna bagpipe, typically heard only at Christmas. [48] Italian folk instruments can be divided into string, wind and percussion categories. [49]
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
Much of the European classical musical tradition, including opera and symphonic and chamber music can be traced back to these Italian medieval developments in musical notation, [4] formal music education and construction techniques for musical instruments.
The theorbo was developed in Italy, and so has a rich legacy in Italian music as both a solo and continuo instrument. Caccini comments in Le nuove musiche (1602) that the theorbo is perfectly suited for accompanying the voice as it can give a very full support without being obscured by the vocalist, indicating the beginning of an Italian ...
An old woodwind instrument Fagotto: bundle: A bassoon, a woodwind instrument played with a double reed Orchestra: orchestra, orig. Greek orkesthai "dance" An ensemble of instruments Piano(forte) soft-loud: A keyboard instrument Piccolo: little: A tiny woodwind instrument Sordun: deaf, dull in sound: An archaic double-reed wind instrument ...
This is a list of medieval musical instruments used in European music during the Medieval period. It covers the period from before 1150 to 1400 A.D. It covers the period from before 1150 to 1400 A.D. There may be some overlap with Renaissance musical instruments; Renaissance music begins in the 15th century.
The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...