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Grandma Moses American Primitive was the first popular catalog of works by Grandma Moses by Otto Kallir, published in 1946. Moses’ first solo exhibition had taken place in 1940 "What a Farmwife Painted", at the Galerie St. Etienne in New York. It was organized by Louis J. Caldor and Otto Kallir and since that time Kallir himself had become a ...
Image of the painting in the 1946 version of Otto Kallir's Grandma Moses American Primitive catalog; Image of the painting in the 1975 abridged version of Otto Kallir's 1973 catalogue raisonné; Otto Kallir, Grandma Moses, Complete edition, New York, Harry N. Abrams, 1973, cat. nr. 498 p. 296, plate 85, Grandma Moses record book nr. 1024 .
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Primitive decorating is a style of decorating using primitive folk art style that is characteristic of a historic or early Americana time period, typically using elements with muted colors and a rough and simple look to them. Decorating in the primitive style can incorporate either true antiques or contemporary folk art. [1]
Mary Ann Willson (active 1810 to 1825) was an American folk artist whose work remained undiscovered for over a century, until it appeared in an exhibition of American Primitive paintings in 1944. Little is known of her life, but evidence suggests that she may have been one of the first American watercolorists.
Checkered House is a 1943 oil painting by the American outsider painter Grandma Moses, produced at age 83 and signed "Moses". It was sold at Sotheby's in 2016. [1] It shows a scene of the artist's impression of the Checkered House in Cambridge, New York, a landmark dating from the Revolutionary War period. The figures in period costume are ...
The collection includes works by painters of the Pennsylvania Impressionist or New Hope school, American primitive painters, limners and modernists. Works by abstract expressionists are on long-term loan from the Jack S. Blanton Museum of Art , University of Texas at Austin, where James A. Michener and his wife, Mari, donated a major portion of ...
Due to the often multiple practical uses of folk art artifacts from the United States, many pieces of art go anonymous and unconnected to any specific artists. [7] Although there are many prominent and well known American folk artists, there are many more who are lacking in biographical details or cannot have anonymous creations attributed to them, posing a challenge to the study of folk art.