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"Gugur Bunga di Taman Bakti" (The Fallen Flower in the Garden of Devotion), better known as "Gugur Bunga", is an Indonesian patriotic song written by Ismail Marzuki in 1945. Written to honor the Indonesian soldiers killed during the Indonesian National Revolution , it tells of the death of a soldier, and the singer's feelings.
Bahasa Indonesia: Gagasan untuk membuat suatu brosur mengenai Sejarah Lagu Kebangsaan kita lndonesia Raya sudah timbul sejak tahun 1966, pada waktu Presiden Republik lndonesia memberi instruksi kepada Menteri Pendidikan Dasar dan Kebudayaan untuk menugaskan Kusbini, salah seorang anggota penyusun brosur ini, untuk mengumpulkan bahan-bahan dokumentasi mengenai lagu kebangsaan INOONESIA RAYA ...
" Indonesia Raya" ('Indonesia the Great') is the national anthem of Indonesia. It has been the national anthem since the Proclamation of Indonesian Independence on 17 August 1945. The song was introduced by its composer , Wage Rudolf Supratman , on 28 October 1928 during the Youth Pledge in Jakarta . [ 1 ]
The following other wikis use this file: Usage on bs.wikipedia.org Indonesia Raya; Usage on id.wikisource.org Halaman:Brosur Lagu Kebangsaan - Indonesia Raya.pdf/57
English: A Japanese propaganda emphasising "Indonesia Raya", a song with an equal status that of "Kimigayo" as the de facto national anthem of Indonesia during Japanese occupation. Date Bahasa Indonesia: Lagu: 1924
First verse: Indonesia tanah air beta Pusaka abadi nan jaya Indonesia sejak dulu kala Tetap dipuja-puja bangsa Reff: Di sana tempat lahir beta Dibuai, dibesarkan bunda
"Perajurit Tanah Air" ("Soldiers of the Motherland"), also known by its incipit "Inilah Barisan Kita" ("Here We Are Standing United"), is a Malaysian patriotic song composed by Indonesian musician Saiful Bahri, who composed various state songs of Malaysia. The song extols soldiers' readiness to fight and die.
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.