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Jaipongan (Sundanese: ᮏᮄᮕᮧᮍᮔ᮪), also known as Jaipong, is a popular traditional dance of Sundanese people from Indonesia. The dance was created by Gugum Gumbira , based on the traditional Sundanese Ketuk Tilu music and pencak silat movements.
Jaipongan Mojang Priangan dance. Sundanese dances (Indonesian: Tarian Sunda) is a dance tradition that is a part of ritual, artistic expression as well as entertainment and social conduct among the Sundanese people of West Java and Banten, Indonesia.
Gending Sriwijaya is the name of the traditional performance whether it is a song, music, as well as dance that originated from Palembang, South Sumatra, Indonesia.Both of the song and the dance was created to describes the splendor, cultural refinement, glory and the grandeur of Srivijaya empire that once succeed on unifying the western parts of Indonesian archipelago and Malay world generally.
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1] What distinguishes them from the two, Bajidor Kahot dance does not optimize shoulder movement as the Jaipongan and Tap Tilu do. In the dance, hips ...
[1] This dance is also functioned as the Welcome Dance to welcome the arrival of noble guests who came to visit Palembang. This has been reinforced by the late Palembang cultural observer R. Johan Hanafiah. So, Mrs. Elly Rudy created a dance entitled Tari Tanggai using the song "Enam Saudara" (the six brothers). The dance is practiced in ...
Jaipongan Mojang Priangan, a Sundanese traditional dance performance. There is a widespread belief among Indonesian ethnicities that the Sundanese are famous for their beauty. In his report "Summa Oriental" on the early 16th century Sunda Kingdom , Portuguese apothecary Tomé Pires mentioned: "The (Sundanese) women are beautiful, and those of ...
Jaipongan dance performance. Jaipongan is a very complex rhythmic dance music from the Sundanese people of western Java. The rhythm is liable to change seemingly randomly, making dancing difficult for most listeners. Its instruments are entirely Sundanese, completely without imported instruments.
Pada 11 hari bulan separuh Vaiśākha tahun 605 Śaka, Dapunta Hiyang menaiki sampan untuk mendapatkan siddhayātra. Pada hari ke tujuh iaitu 15 hari bulan separuh Jyeṣṭha , Dapunta Hiyang berlepas dari Mināṅa membawa 20000 orang bala tentera dengan bekal-bekalan sebanyak 200 peti di sampan diiringi 1312 orang yang berjalan kaki ...