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Paintings based on Hamlet (5 P) Pages in category "Paintings based on works by William Shakespeare" The following 18 pages are in this category, out of 18 total.
The Wadlow portrait Believed to be a portrait of William Shakespeare painted in 1595. [20] It was bought in the late 1960s by Peter Wadlow from a firm of picture restorers and art dealers called Pryse Hughes. [21] Peter Wadlow was told that it was painted in 1595. The painting has the number 31 at the top left. William Shakespeare was 31 in ...
The Infant The Schoolboy The Lover The Seven Ages of Man is a series of paintings by Robert Smirke, derived from the famous monologue beginning all the world's a stage from William Shakespeare's As You Like It, spoken by the melancholy Jaques in Act II Scene VII. The stages referred are: infant, schoolboy, lover, soldier, justice, pantaloon and old age. The set of paintings are in pen and ink ...
Claudio and Isabella is an 1850 Pre-Raphaelite oil painting by the English artist William Holman Hunt. It is based on a scene from William Shakespeare 's Measure for Measure . In this scene, Isabella is made to choose between sacrificing her brother's life or sacrificing her virginity to Angelo.
In 1932, Percy Allen published The Life Story of Edward de Vere as "William Shakespeare". Allen was a supporter of J. Thomas Looney's theory that the works of Shakespeare were written by de Vere, the 17th Earl of Oxford. He argued that the features of the man in the Ashbourne portrait corresponded to those of de Vere and that the costume ...
While some modern scholars believe the play was relatively new (one contemporary report states that it "had been acted not passing 2 or 3 times before"). [41] Thought to be a collaboration between Shakespeare and John Fletcher, due to the style of the verse. Shakespeare is thought to have written Act I, scenes i and ii; II, ii and iv; III, ii ...
The Folger Shakespeare Library is an independent research library on Capitol Hill in Washington, D.C., United States.It has the world's largest collection of the printed works of William Shakespeare, and is a primary repository for rare materials from the early modern period (1500–1750) in Britain and Europe.
Joshua Reynolds' Puck (1789), painted for Boydell's Shakespeare Gallery, is modelled after Parmigianino's Madonna with St. Zachary, the Magdalen, and St. John [1]. The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting.