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"Freiheit", also known as "Spaniens Himmel" or "Die Thälmann-Kolonne", is a song written in 1936 by Gudrun Kabisch and Paul Dessau, German anti-fascists. The song was written for the International Brigades but later became a popular standard in Germany and in American communist and folk music communities. The title translates as "Freedom" in ...
Nazi leaders can be seen singing the song at the finale of Leni Riefenstahl's 1935 film Triumph of the Will. Hitler also mandated the tempo at which the song had to be played. [ 18 ] After Hitler's public speeches, he would exit during the playing of both the national anthem and then the Horst Wessel Song.
For great freedom's sake. — Refrain: — Hey F.P.O.! We are here! — Bold, daring, and ready for battle. — This very day the partisans will defeat the fiend, — In the struggle for workers' power. The limbs are strong. Muscles of steel and lead, We are leaving the ghetto today In order to bring you freedom tomorrow. — Refrain
The Horst-Wessel-Lied ("Song of Horst Wessel"), also known as Die Fahne Hoch ("The Flag Raised"), was the official anthem of the NSDAP.The song was written by Horst Wessel, a party activist and SA leader, who was killed by a member of the Communist Party of Germany.
Pardun's song was one of the most famous mass songs of the Nazi era; in the 1930s, it was mainly used as an SA marching song. It was also a compulsory song for the Reichsarbeitsdienst . During World War II , it was used as a military song – not least because it was included in the soldier's song book Morgen marschieren wir (Tomorrow we march).
Germany was still in a dire economic situation, as six million people were unemployed and the balance of trade deficit was daunting. [36] Using deficit spending, public works projects were undertaken beginning in 1934, creating 1.7 million new jobs by the end of that year alone. [36] Average wages began to rise. [37]
Skrewdriver was instrumental in setting up Blood & Honour, a neo-Nazi music promotion network. Their song Smash the IRA became popular amongst Loyalists in Northern Ireland. It was one of a number of Skrewdriver songs covered by a Belfast band called Offensive Weapon, who also covered songs by Black artists such as Chuck Berry. [18]
The song was important to certain anti-Nazi resistance movements in Germany. [6] In 1942, Sophie Scholl , a member of the White Rose resistance group, played the song on her flute outside the walls of Ulm prison, where her father Robert had been detained for calling the Nazi dictator Adolf Hitler a "scourge of God".