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Cemetery H, Late Harappan, OCP, Copper Hoard and Painted Grey ware sites. Characterized by a style of fine, grey pottery painted with geometric patterns in black, [7] the PGW culture is associated with village and town settlements, domesticated horses, ivory-working, and the advent of iron metallurgy. [8]
An examples of grey ware found in Pakistan was the Faiz Muhammad Grey Ware. This was manufactured during the Mehgarh Period V and included deep, open bowls and shallow plates. [3] The technology used for this type of grey ware was similar to the technology used in the grey ware found in east Iranian sites called Emir Grey Ware. [3]
Cemetery H, Late Harappan, OCP, Copper Hoard and Painted Grey ware sites The term copper hoards refers to different assemblages of copper-based artefacts in the northern areas of the Indian Subcontinent that are believed to date from the 2nd millennium BC.
The Painted Grey Ware (PWG) culture is an Iron Age culture of the western Gangetic plain and the Ghaggar-Hakra valley, lasting from roughly 1200 BCE to 600 BCE, [51] [52] [53] which probably corresponds to the middle and late Vedic period, i.e., the Kuru-Panchala kingdom, the first large state in South Asia after the decline of the Indus Valley ...
English: Some pained grey ware sites ca. 1100-800 bc on map. Also earlier Late Harappan, Cemetery H, Ochre coloyured pottery and Copper Hoard sites. Also earlier Late Harappan, Cemetery H, Ochre coloyured pottery and Copper Hoard sites.
The painted parallel-line decoration of Ayios Onouphrios I Ware was drawn with an iron-red clay slip that would fire red under oxidizing conditions in a clean kiln but under the reducing conditions of a smoky fire turn darker, without much control over color, which could range from red to brown.
All ancient Greek and ancient Roman pottery is earthenware, as is the Hispano-Moresque ware of the late Middle Ages, which developed into tin-glazed pottery or faience traditions in several parts of Europe, mostly notably the painted maiolica of the Italian Renaissance, and Dutch Delftware.
The pottery produced catalogues of goods in 1783, 1785, 1786, 1794, and 1814; [4] the pattern is somewhat indicative of the development of the business. There are other documents, and pattern books illustrating decoration, in the Leeds City Art Gallery and the Victoria & Albert Museum in London. [5] By 1790 the company employed 150 people.