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Her debut album, Black Acid Soul, a further collaboration with Seefried, was released on 3 September 2021, with physical editions released on 28 January 2022. [8] The album bears a strong jazz influence and emphasis on pared-back vocals, with a number of covers and reinterpretations of songs from the 1960s and 70s.
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It won two Indie RPG Awards in 2009, for "Best Production" and "Best Free Game.". Chase Carter for Polygon listed Lady Blackbird as a "seminal" game of the late aughts "blooming of indie RPG designers", along with Dogs in the Vineyard, Apocalypse World, Fiasco, and the Romance Trilogy. [3]
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Wilton Jameson "Jamey" Aebersold (born July 21, 1939) is an American publisher, educator, and jazz saxophonist. His Play-A-Long series of instructional books and CDs, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. [1]
Power Tab Editor is a freeware tablature authoring tool created by Brad Larsen for Windows. It is used to create guitar, bass and ukulele tablature scores, among many others. The current version uses the *.ptb file format. The Power Tab Editor is able to import MIDI tracks, and can export to ASCII Text, HTML, and MIDI formats.
Play ⓘ. Conventional progression or cadence without tritone substitution, i.e., NOT Tadd Dameron turnaround. Play ⓘ. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, "is a very common turnaround in the jazz idiom", [1] derived from a typical I−vi−ii−V turnaround through the application of tritone substitution of all but the first chord, thus yielding, in C major: