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Concerto for Timpani and Orchestra (2002) Michael Daugherty. Raise the Roof (2003) [5] [6] Ney Rosauro. Concerto for Timpani and Orchestra (2003) James Boznos. Concerto for Timpani, Roto-toms and Orchestra op.7 (2003) Concerto Nr.2 “Pavilions” op. 20, for extended timpani, orchestra and mp3 (2019) Lee Actor. Concerto for Timpani and ...
Timpani (/ ˈ t ɪ m p ə n i /; [2] Italian pronunciation:) or kettledrums (also informally called timps) [2] are musical instruments in the percussion family.A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper.
Bohuslav Martinů's Double Concerto for Two String Orchestras, Piano, and Timpani (H. 271) was written in Switzerland in 1938 during deteriorating diplomatic relationships throughout Europe. Commissioned by Paul Sacher for the Basel Chamber Orchestra, it reflects intense impressions, from both the composer's personal life and the political ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [2] [3] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
A percussion section with pitched percussion (tubular bells, background), auxiliary percussion (crash cymbals, suspended cymbal, snare drum and bass drum) and timpani (foreground) in use. The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments.
The orchestra reenters with a sudden burst of cymbals, after which the cadenza segues directly into the third movement proper, with a rapid rhythm set by wood block and other auxiliary percussion. The orchestra gradually builds up intensity; the movement grows into a passionate, major-key high-point consisting of quick triplets from a number of ...
The orchestra is divided into four groups (five if a keyboard instrument is used) and specified as follows: [1] Woodwind instruments: flutes, oboes, clarinets, saxophones (if one or more are needed), bassoons; Brass instruments: horns, trumpets, trombones, tubas; Percussion: timpani, snare drum, bass drum, chimes, etc.
The version for strings and timpani was first performed in a broadcast on 1 January 1939 by the Radio Orchestra conducted by the composer, as the only recorded example of the composer interpreting one of his own works. [3] He maintained a slow tempo professionally, with "unforced rubato", [3] creating a solemn, singing string sound.