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When Herbert von Karajan was making his own recording of Tosca in 1962, he would often ask his producer John Culshaw to play selections from the de Sabata/Callas recording to him. Culshaw reports that "One exceptionally tricky passage for the conductor is the entry of Tosca in act 3, where Puccini's tempo directions can best be described as ...
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa.It premiered at the Teatro Costanzi in Rome on 14 January 1900. . The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of It
Tosca is a 2001 musical drama film written and directed by Benoît Jacquot, closely based on the 1900 opera Tosca with music by Giacomo Puccini and an Italian libretto by Luigi Illica and Giuseppe Giacosa, based in turn on the 1887 play by Victorien Sardou.
Anthony Tommasini praised his performance in The New York Times: [8] "The Georgian baritone George Gagnidze was an exceptionally menacing Scarpia, singing with robust, earthy power and seductive lyricism when the villain turns on the charm". Gagnidze made his Metropolitan Opera debut in 2009 in the title role of Giuseppe Verdi's Rigoletto. [9]
(Tosca, Cavaradossi, Scarpia) Conductor, Opera house and orchestra Label 1964 Maria Callas, Renato Cioni, Tito Gobbi Carlo Felice Cillario Royal Opera House orchestra and chorus (Videotape of live telecast of act 2 at Covent Garden, 9 February 1964) DVD: EMI Classics Cat: DVA 4 92851 9 1976 Raina Kabaivanska, Plácido Domingo, Sherrill Milnes ...
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FOLLOW LIVE: Queen’s 2023 - Tennis scores and updates as Andy Murray faces Alex de Minaur. But De Minaur, seeded seventh, represents a difficult first round foe, with the atheletic Australia ...
La Tosca (also known as Tosca) is a 1973 Italian comedy drama film written and directed by Luigi Magni. [1] It is loosely based on the drama with the same name by Victorien Sardou , reinterpreted in an ironic-grotesque style.