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In fact, as these verses about worship show us, the Bible can play a big role in shaping and guiding your reverence for God. After all, reading about God's love, mercy, grace, and faithfulness can ...
A cento is a poetic work composed of verses or passages taken from other authors and re-arranged in a new order. This poem reworks verses extracted from the work of Virgil to tell stories from the Old and New Testament of the Christian Bible. Much of the work focuses on the story of Jesus Christ.
Philippians 4:13 “I can do all this through him who gives me strength.” The Good News: Your faith in God will guide you through life's challenges.
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
Wycliffe's Bible (1395) translates the phrase as "valei of teeris", and the Bishop's Bible (1568) reads "vale of teares". The King James Version (1611), however, reads "valley of Baca ", and the Psalter in the Book of Common Prayer (1662) follows the Coverdale Bible (1535) and reads "vale of misery".
The poem Tears of the Prodigal Son draws on the well-known biblical Parable of the Prodigal Son found in Luke 15:11–32, the basis of which forms a story on a father forgiving his son's spendthriftness and greed, after the son comes back home remorseful of his actions. Gundulić adapts and heavily elaborates the original storyline, but still ...
An elderly woman chanting a verse of the Pasyon in the Kapampangan language. Pabása ng Pasyón (Tagalog for "Reading of the Passion"), known simply as Pabása is a Catholic devotion in the Philippines popular during Holy Week involving the uninterrupted chanting of the Pasyón, an early 16th-century epic poem narrating the life, passion, death, and resurrection of Jesus Christ. [1]
Carolyn Carty also claims to have written the poem in 1963 when she was six years old based on an earlier work by her great-great aunt, a Sunday school teacher. She is known to be a hostile contender of the "Footprints" poem and declines to be interviewed about it, although she writes letters to those who write about the poem online. [1]